Reminder: Main Library July Not Fiction Book Discussion date

Just a friendly reminder that the July Main Library Not Fiction Book Discussion of The Return: Fathers, Sons, and the Land in Between by Hisham Matar will be Tuesday, July 11, at 6:30 p.m.. All Charleston County Public Library branches will be closed for the July 4 holiday.

Readalikes: If you enjoyed June's selection . . .

If you enjoyed Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J. D. Vance, then you might also like these books suggested our discussion group members:

• The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark for the Ivy League by Jeff Hobbs
• Dreams from My Father: A Memoir of Race and Inheritance by Barack Obama
• Coal Miner's Daughter by Loretta Lynn
• The Boys in the Boat by Daniel James Brown
• Son of a Gun: A Memoir by Justin St. Germain
• Townie: A Memoir by Andre Dubus III

And by The Booklist Reader reviewer Karen Kleckner Keefe in her article Pride and Poverty: Beyond Hillbilly Elegy:

• All Over But the Shoutin‘ by Rick Bragg
• Belonging: A Culture of Place by bel hooks
• Broke, USA: From Pawnshops to Poverty, Inc.—How the Working Poor Became Big Business by Gary Rivlin
• Coming Apart: The State of White America, 1960-2010 by Charles Murray
• Creeker: A Woman’s Journey by Linda Scott DeRosier
• Deer Hunting with Jesus: Dispatches from America’s Class War by Joe Bageant
• The Distance Between Us by Reyna Grande
• Evicted: Poverty and Profit in the American City by Matthew Desmond
• The Glass Castle by Jeannette Walls
• Hand to Mouth: Living in Bootstrap America by Linda Tirado
• Invisible in Austin: Life and Labor in an American City by Javier Auyero
• Let Us Now Praise Famous Men by James Agee
• The Liars’ Club by Mary Karr
• Nickel and Dimed: On (Not) Getting by in Boom-Time America by Barbara Ehrenreich
• No Heroes: A Memoir of Coming Home by Chris Offutt
• Poor People by William T. Vollmann
• Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx by Adrian Nicole LeBlanc
• Salvation on Sand Mountain: Snake Handling and Redemption in Southern Appalachia by Dennis Covington
• $2.00 a Day: Living on Almost Nothing in America by Kathryn J. Edin and H. Luke Shaefer
• White Trash: The 400-Year Untold History of Class in America by Nancy Isenberg
• The Working Poor: Invisible in America by David K. Shipler

June's Not Fiction Book Discussions

Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J. D. Vance explores the culture of white, working class, Scots-Irish Greater Appalachia--"hillbilly" culture--as both a physical and a psychosocial place. Vance, who grew up in Kentucky and Ohio in the 1980s and 90s, overcame a childhood of poverty and familial instability, becoming a Marine and eventually graduating from Yale Law School. He found himself wondering why there weren't more people like him at places like Yale, people from working-class backgrounds living the American Dream of an upwardly mobile life. What he discovered is a region and a culture in crisis as manufacturing jobs that provided a living wage become harder and harder to find. Vance told Isaac Chotiner of Slate, "This macroeconomic thing was happening but there was also this cultural and communal disconnect that was happening. To understand the problem you had to understand both sides of it." And so he wrote Hillbilly Elegy as a memoir to show "what goes on in the lives of real people when the industrial economy goes south. It's about reacting to bad circumstances in the worst way possible. It's about a culture that increasingly encourages social decay instead of counteracting it." What he found is a socially and culturally isolated group that demonstrates a "learned helplessness," an "emotional poverty" that increasingly looks like despair. Vance asks an essential question of "hillbillies like me," and, by implication, of American culture at large: "How much of our lives, good and bad, should we credit to our personal decisions, and how much is just the inheritance of our culture, our families, and our parents who have failed their children? . . . Where does blame stop and sympathy begin?"

What do you think? To what combination of causes does Vance attribute the crisis he sees in his community? How do the people in Vance's life demonstrate both learned helplessness and personal responsibility? What are the positive values of hillbilly culture? To what does Vance attribute his escape from the cycle of poverty, addiction, and violence in which many people in his family and community are trapped? Why is he uneasy with his own rapid upward mobility? Does he seem to make an emotional journey out of his own anger and confusion along with his physical journey out of Appalachia? What does Hillbilly Elegy add to the national conversation about poverty and its related socio-cultural problems? To the current political conversation? Does it suggest any solutions? Does Vance seem to be more liberal, conservative, libertarian, or some other slant entirely in his social and political views? If your life experiences, cultural background, and social and political views differ from Vance's, did you find Hillbilly Elegy difficult and/or enlightening to read?

For more insight into Hillbilly Elegy, read Compassion, and Criticism, for the White Working Class: A conversation with Hillbilly Elegy author J.D. Vance, an interview at Slate with Isaac Chotiner.

We hope you will join the discussion: Tuesday, June 6, at 6:30 p.m. at Main Library; Thursday, June 15, at 11:00 a.m. at West Ashley Branch Library; and here on the blog.