Thursday, March 6, 2014
March Not Fiction Book Discussions
Junius Browne and Albert Richardson reported on the Civil War for the abolitionist New York Tribune. They were captured by Confederates and spent nearly two years in a series of brutal prisons before escaping and walking 300 miles through the Blue Ridge and Appalachian Mountains in the dead of winter to Union lines. Along the way, they were aided by slaves and Union sympathizers and supported by their devoted friendship. In Junius and Albert's Adventures in the Confederacy: A Civil War Odyssey, Peter Carlson has crafted a true epic, with nods to both the form and the content of Homer's Odyssey, from their harrowing adventure.
Carlson, himself a journalist who reported for The Washington Post for 22 years, is clearly fond of his two real-life protagonists. In Chapter 23, he comments wryly on the first newspaper articles to appear about Junius Browne's escape from Salisbury prison: "Those two short items in the Tribune provide a valuable lesson about the glamour and the glory of a career as a newspaper reporter: Junius Browne risked his life covering a war. He was captured by the enemy and imprisoned for 20 months. He escaped and trudged 300 miles over snow-covered mountains. And when he finally reached safety, his own newspaper misspelled his name. Several times. On several days. First name and last name" (222). Carlson also dedicates the book "To newspaper reporters, past and present, who went off on adventures and came back with stories." Junius and Albert's Adventures in the Confederacy asks us to consider the important role journalists have played in recording and even making American history. George Packer says of the many political, social, and cultural crises in our history, "The unwinding is nothing new. There have been unwindings every generation or two . . . Each decline brought renewal, each implosion released energy, out of each unwinding came a new cohesion. . . . In the unwinding, everything changes and nothing lasts, except for the voices, American voices . . . " (The Unwinding). Our journalists' voices and the principles of free speech and witnessing the truth have been a through line in the American story.
As James M. McPherson, author of the classic one-volume history of the Civil War, Battle Cry of Freedom, notes, "This absorbing story of two Northern war reporters who were captured by the Confederates at Vicksburg demonstrates that for the Civil War, truth is indeed more thrilling than fiction. The accounts of the essential help the escapees received from slaves and Southern white Unionists provide key insights on Southern society." How does Junius and Albert's story illustrate the political, social, and cultural challenges America faced at the time of the Civil War? After reading their story, what do you think held us together as a nation at that desperate moment when it seemed like we might come apart? Does their story make you optimistic about our future as a nation?
We hope you will join the discussion: Tuesday, March 4, at 6:30 p.m. at Main Library; Thursday, March 20, at 11:00 a.m. at West Ashley Branch Library; and here on the blog.
Carlson, himself a journalist who reported for The Washington Post for 22 years, is clearly fond of his two real-life protagonists. In Chapter 23, he comments wryly on the first newspaper articles to appear about Junius Browne's escape from Salisbury prison: "Those two short items in the Tribune provide a valuable lesson about the glamour and the glory of a career as a newspaper reporter: Junius Browne risked his life covering a war. He was captured by the enemy and imprisoned for 20 months. He escaped and trudged 300 miles over snow-covered mountains. And when he finally reached safety, his own newspaper misspelled his name. Several times. On several days. First name and last name" (222). Carlson also dedicates the book "To newspaper reporters, past and present, who went off on adventures and came back with stories." Junius and Albert's Adventures in the Confederacy asks us to consider the important role journalists have played in recording and even making American history. George Packer says of the many political, social, and cultural crises in our history, "The unwinding is nothing new. There have been unwindings every generation or two . . . Each decline brought renewal, each implosion released energy, out of each unwinding came a new cohesion. . . . In the unwinding, everything changes and nothing lasts, except for the voices, American voices . . . " (The Unwinding). Our journalists' voices and the principles of free speech and witnessing the truth have been a through line in the American story.
As James M. McPherson, author of the classic one-volume history of the Civil War, Battle Cry of Freedom, notes, "This absorbing story of two Northern war reporters who were captured by the Confederates at Vicksburg demonstrates that for the Civil War, truth is indeed more thrilling than fiction. The accounts of the essential help the escapees received from slaves and Southern white Unionists provide key insights on Southern society." How does Junius and Albert's story illustrate the political, social, and cultural challenges America faced at the time of the Civil War? After reading their story, what do you think held us together as a nation at that desperate moment when it seemed like we might come apart? Does their story make you optimistic about our future as a nation?
We hope you will join the discussion: Tuesday, March 4, at 6:30 p.m. at Main Library; Thursday, March 20, at 11:00 a.m. at West Ashley Branch Library; and here on the blog.
Thursday, February 20, 2014
Readalikes: If you enjoyed February's selection . . .
If you enjoyed Book of Ages: The Life and Opinions of Jane Franklin by Jill Lepore, then you might like this wide variety of titles suggested by our discussion group members: Bunker Hill: A City, a Siege, a Revolution by Nathaniel Philbrick for an idea of what Jane's life was like during the siege of Boston; Liberty's Exiles: American Loyalists in the Revolutionary World by Maya Jasanoff for an understanding of the issues that divided Ben Franklin and his son William, Patriot and Loyalist, during the Revolutionary War; George Washington's Secret Six: The Spy Ring That Saved the American Revolution by Brian Kilmeade and Don Yaeger for a portrait of other citizens who helped to shape the emerging nation, who might have faded out of the historical record if not for the work of historians studying the lives of ordinary people; The Invention of Wings: A Novel by Sue Monk Kidd about Charleston's Grimke sisters and their enslaved handmaid that brings to life the restrictions on the lives and aspirations of women and enslaved Africans even a century after the Revolution; Half the Sky: Turning Oppression Into Opportunity for Women Worldwide by Nicholas D. Kristoff and Sheryl WuDunn for an understanding of how issues like gender and literacy affect women's lives today; and Cleopatra: A Life by Stacy Schiff for another example of a biography written with very little source material to draw from that builds a portrait of a woman by coloring in her historical and cultural background.
Monday, February 10, 2014
February Not Fiction Book Discussions
In Book of Ages: The Life and Opinions of Jane Franklin by Jill Lepore, Lepore reminds us that Benjamin Franklin's autobiography serves as an "allegory about America: the story of a man as the story of a nation." Ben rose from poverty to become an educated, independent man of the world. One could argue that his gender was the essential element in his success. As a man, Ben had access to an education and to work that allowed him to continue his studies and to travel. His sister Jane, as a woman, did not have access to an education. She was expected to become a mother and a homemaker. Although Jane loved to read and learned to write, she did not leave an extensive written record of her life because, as a woman, she had little time to write, and, as a person of modest means, her few writings were not considered worth preserving. Jane did write a small book that recorded the major events of a mother's life, a Book of Ages that noted the births and deaths of her children and other family members. She also wrote years of letters to her brother recording her opinions about her life and times, but decades of these letters have been lost. Lepore suggests that Jane's life is also an allegory: "it explains what it means to write history not from what survives but from what is lost."
Jane Franklin's story helps us to understand the historical record in a new light. How we understand our nation's history depends upon whose history we are able to read and remember. And because that written and preserved history is largely that of our founding fathers, we could easily lose sight of the fact that our founding mothers, ordinary women like Jane Franklin, also helped to shape our values and traditions.
Because Jane did not leave many written remains, Lepore has created what New York Times critic Dwight Garner calls "an elegant write-around." Is she successful in bringing Jane and her times to life? Do you think, given other historical circumstances, Jane Franklin could have been as famous as her brother? How have women's lives and the value we place upon them changed since Jane's times? How would America's history be different if the lives and opinions of women like Jane had been considered valuable all along?
We hope you will join the discussion: Tuesday, February 4, at 6:30 p.m. at Main Library; Thursday, February 20, at 11:00 a.m. at West Ashley Branch Library; and here on the blog.
Jane Franklin's story helps us to understand the historical record in a new light. How we understand our nation's history depends upon whose history we are able to read and remember. And because that written and preserved history is largely that of our founding fathers, we could easily lose sight of the fact that our founding mothers, ordinary women like Jane Franklin, also helped to shape our values and traditions.
Because Jane did not leave many written remains, Lepore has created what New York Times critic Dwight Garner calls "an elegant write-around." Is she successful in bringing Jane and her times to life? Do you think, given other historical circumstances, Jane Franklin could have been as famous as her brother? How have women's lives and the value we place upon them changed since Jane's times? How would America's history be different if the lives and opinions of women like Jane had been considered valuable all along?
We hope you will join the discussion: Tuesday, February 4, at 6:30 p.m. at Main Library; Thursday, February 20, at 11:00 a.m. at West Ashley Branch Library; and here on the blog.
Wednesday, January 22, 2014
Readalikes: If you enjoyed January's selection . . .
If you enjoyed The Unwinding: An Inner History of the New America by George Packer, then you might also like the books Packer reviews in A Critic at Large: Don't Look Down for The New Yorker (April 29, 2013), a look at the new Depression literature. These titles include Down the Up Escalator: How the 99% Live in the Great Recession by Barbara Garson; Detroit: An American Autopsy by Charlie LeDuff; and Days of Destruction, Days of Revolt by Chris Hedges with illustrations by Joe Sacco. You could also read the U. S. A. trilogy of novels by John Dos Passos, published in the 1930s, which Packer acknowledges influenced the subject, structure, and style of The Unwinding.
Thursday, January 2, 2014
January Not Fiction Book Discussions
We begin our road trip through American history and culture with one of the most talked-about books of 2013: The Unwinding: An Inner History of the New America by George Packer. Inspired by John Dos Passos' U.S.A. trilogy, Packer creates a montage of longer biographical narratives of ordinary Americans, shorter biographical sketches of celebrities of all kinds, and collages or mashups of cultural memes to illustrate the "unwinding" over the last three decades of the America most of us take for granted, "when the coil that held Americans together in its secure and sometimes stifling grip first gave way." Packer is referring in particular to what he calls the "Roosevelt Republic," a cohesive national web of public and private institutions that offers a place and a sense of security for all citizens. He argues that what has taken its place is organized money and a cult of celebrity that has reached beyond entertainment into other areas of public life, including government.
Looking back over the last three decades, do you recall noticing signs of this unwinding as they were occurring? What were they? Or did they only become clear upon looking back, as through a rear view mirror? In his Prologue, Packer suggests that unwindings of political, social, and cultural structures in our country are nothing new, that "Each decline brought renewal, each implosion released energy, out of each unwinding came a new cohesion." Yet in an interview with NPR's Weekend Edition Sunday, Packer says of this particular devolution, "What I see happening is not just cyclical, though, it feels like a real cultural shift where the value of the community, of what makes this a coherent society, has really been submerged." What do you think? Do you see the events of the last three decades in the same light as Packer does? Do you feel that they are cyclical or that they represent a true cultural shift? Does Packer offer any hope for our collective future? Do you see any? And finally, do you think future generations will read Packer's book as we do works like Edward Gibbon's The History of the Decline and Fall of the Roman Empire, or do you think it is closer to a cry that the sky is falling that will appear alarmist to future readers?
The Unwinding: An Inner History of the New America by George Packer includes collages, called Mashups, of headlines, slogans, and songs that capture the flow of events—the social and political undercurrents—in a given year. Did you find yourself wondering what sources Packer used? Click here for an interactive page on the publisher's website that provides source notes.
We hope you will join the discussion of this winner of the 2013 National Book Award for Nonfiction: Tuesday, January 7, at 6:30 p.m. at Main Library; Thursday, January 16, at 11:00 a.m. at West Ashley Branch Library; and here on the blog.
Looking back over the last three decades, do you recall noticing signs of this unwinding as they were occurring? What were they? Or did they only become clear upon looking back, as through a rear view mirror? In his Prologue, Packer suggests that unwindings of political, social, and cultural structures in our country are nothing new, that "Each decline brought renewal, each implosion released energy, out of each unwinding came a new cohesion." Yet in an interview with NPR's Weekend Edition Sunday, Packer says of this particular devolution, "What I see happening is not just cyclical, though, it feels like a real cultural shift where the value of the community, of what makes this a coherent society, has really been submerged." What do you think? Do you see the events of the last three decades in the same light as Packer does? Do you feel that they are cyclical or that they represent a true cultural shift? Does Packer offer any hope for our collective future? Do you see any? And finally, do you think future generations will read Packer's book as we do works like Edward Gibbon's The History of the Decline and Fall of the Roman Empire, or do you think it is closer to a cry that the sky is falling that will appear alarmist to future readers?
The Unwinding: An Inner History of the New America by George Packer includes collages, called Mashups, of headlines, slogans, and songs that capture the flow of events—the social and political undercurrents—in a given year. Did you find yourself wondering what sources Packer used? Click here for an interactive page on the publisher's website that provides source notes.
We hope you will join the discussion of this winner of the 2013 National Book Award for Nonfiction: Tuesday, January 7, at 6:30 p.m. at Main Library; Thursday, January 16, at 11:00 a.m. at West Ashley Branch Library; and here on the blog.
Friday, December 6, 2013
Not Fiction Book Discussion Titles for 2014
In his National Book Award-winning The Unwinding: An Inner History of the New America, George Packer creates a montage of biographical sketches and cultural memes to describe the "unwinding" over the last three decades of the America most of us take for granted, "when the coil that held Americans together in its secure and sometimes stifling grip first gave way." In The Longest Road: Overland in Search of America, from Key West to the Arctic Ocean, Philip Caputo recounts his epic journey across the United States, Airstream in tow, asking Americans "What holds us together?"
In our discussions in 2014, we will take a virtual road trip through American history and culture, reading some intriguing books on the topic published within the last year or two and contemplating what unites us and what threatens to divide us. Packer suggests that "The unwinding is nothing new. There have been unwindings every generation or two . . . Each decline brought renewal, each implosion released energy, out of each unwinding came a new cohesion. . . . In the unwinding, everything changes and nothing lasts, except for the voices, American voices . . . dreaming aloud late at night on a front porch as trucks rush by in the darkness."
We hope you will join us for the journey--see the titles and dates posted on the right side of this page.
In our discussions in 2014, we will take a virtual road trip through American history and culture, reading some intriguing books on the topic published within the last year or two and contemplating what unites us and what threatens to divide us. Packer suggests that "The unwinding is nothing new. There have been unwindings every generation or two . . . Each decline brought renewal, each implosion released energy, out of each unwinding came a new cohesion. . . . In the unwinding, everything changes and nothing lasts, except for the voices, American voices . . . dreaming aloud late at night on a front porch as trucks rush by in the darkness."
We hope you will join us for the journey--see the titles and dates posted on the right side of this page.
Thursday, December 5, 2013
Readalikes: If you enjoyed December's selection . . .
If you enjoyed The Dangerous Animals Club by Stephen Tobolowsky, then you might also enjoy Born Standing Up: A Comic's Life by Steve Martin, which we read in 2010, and Bossypants by Tina Fey, which we read in 2012. Like The Dangerous Animals Club, both Born Standing Up and Bossypants are memoirs of how these actors discovered their passion for comedy and turned that passion into a successful career, written in their authors' signature comedic style.
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