Wednesday, April 9, 2008
Notes from April's Not Fiction Book Discussion
In his preface to The United States of Arugula, David Kamp says, "This is a book about how we got to this point--how food in America got better, and how it hopped the fence from the ghettos of home economics and snobby gourmandism to the expansive realm of popular culture." Our discussion of his book on April 1 focused largely on whether he accomplished this goal for us as readers. We decided that perhaps his background as a writer of short profile pieces for Vanity Fair and GQ influenced his style and content--a tendency toward name-dropping and sharing gossipy bits about the personal lives of the many chefs he names. We agreed that we had expected more of a social and cultural history of the ordinary eaters who had participated in this food revolution, although we understand after reading his book that television programs, restaurant reviews, and cook books by celebrity chefs certainly ignited the revolution. Our favorite chapters were "Righteous and Crunchy" and "The New Sun-Dried Lifestyle"--both move beyond a mere timeline of events into a more in-depth presentation of the characters and trends they present, and the trends involved the world outside the walls of a five-star restaurant.
Kamp's book did spark a fun discussion of our own childhood memories of food and the transformations described in the book that have been most relevant in our lifetime. For example, one of our group was planning a dinner of penne with arugula, roma tomatoes, pine nuts, extra virgin olive oil, and parmigiano reggiano . . . a dish her mother certainly never made for the family back in the 1960s! And as soon as I finish this post, I will head out for a latte break . . .
Kamp's book will provide an interesting comparison for our next book, Michael Pollan's The Omnivore's Dilemma. While Kamp is unreservedly optimistic about our culture's current abundance of ingredients and culinary sophistication, Pollan points out the many dilemmas involved in that plastic box of arugula from California, those tomatoes in early April . . .
We hope you will join our conversation!
Kamp's book did spark a fun discussion of our own childhood memories of food and the transformations described in the book that have been most relevant in our lifetime. For example, one of our group was planning a dinner of penne with arugula, roma tomatoes, pine nuts, extra virgin olive oil, and parmigiano reggiano . . . a dish her mother certainly never made for the family back in the 1960s! And as soon as I finish this post, I will head out for a latte break . . .
Kamp's book will provide an interesting comparison for our next book, Michael Pollan's The Omnivore's Dilemma. While Kamp is unreservedly optimistic about our culture's current abundance of ingredients and culinary sophistication, Pollan points out the many dilemmas involved in that plastic box of arugula from California, those tomatoes in early April . . .
We hope you will join our conversation!
Celebrate National Poetry Month!
April is National Poetry Month, and to celebrate it, the Academy of American Poets is encouraging poetry lovers to participate in the first national Poem in Your Pocket Day on April 17. Simply choose a poem you love and carry it with you to share with family, friends, and coworkers on April 17 and throughout the month. Visit poets.org, the official website of the Academy of American Poets, for more information and to find poems to download!
You can also celebrate by participating in an online event hosted by the Library of Congress through the Online Programming for All Libraries Online Auditorium: "On April 17, join with the Library of Congress in an online celebration of the first national Poem In Your Pocket Day. Select a favorite published poem (not your own) in advance to share with others. Participants will present their poem in the order in which they log in to the OPAL Auditorium, the online venue for this program. Those who have a microphone have the option of reading their poem aloud, and to share a URL (if available) at which the poem can be found online. Participants without microphones may provide a link to their poem; Library of Congress employees will take turns reading these poems." For more information about OPAL, visit http://www.opal-online.org/progschrono.htm and to go to the Online Auditorium, visit http://www.conference321.com/masteradmin/room.asp?id=rs1641902f62b4.
And you can celebrate here on the Not Fiction blog--tell us about your favorite poem(s) and/or any favorite memories about poems or poetry.
"If I read a book [and] it makes my whole body so cold no fire ever can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?" ~Emily Dickinson
You can also celebrate by participating in an online event hosted by the Library of Congress through the Online Programming for All Libraries Online Auditorium: "On April 17, join with the Library of Congress in an online celebration of the first national Poem In Your Pocket Day. Select a favorite published poem (not your own) in advance to share with others. Participants will present their poem in the order in which they log in to the OPAL Auditorium, the online venue for this program. Those who have a microphone have the option of reading their poem aloud, and to share a URL (if available) at which the poem can be found online. Participants without microphones may provide a link to their poem; Library of Congress employees will take turns reading these poems." For more information about OPAL, visit http://www.opal-online.org/progschrono.htm and to go to the Online Auditorium, visit http://www.conference321.com/masteradmin/room.asp?id=rs1641902f62b4.
And you can celebrate here on the Not Fiction blog--tell us about your favorite poem(s) and/or any favorite memories about poems or poetry.
"If I read a book [and] it makes my whole body so cold no fire ever can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?" ~Emily Dickinson
Thursday, March 20, 2008
April Not Fiction Book Discussion

For our April Not Fiction Book Discussion we are reading The United States of Arugula: How We Became a Gourmet Nation by David Kamp. Kamp, who is a regular contributor to periodicals including Vanity Fair and GQ, presents a social history of American food culture over the last five decades that chronicles what he sees as the happy evolution of American taste from provincial and conventional to multicultural gourmet. Kamp's history is rich with details about the lives of the celebrity chefs who helped create this movement, from the Big Three of James Beard, Julia Child, and Craig Claiborne to current stars of the Food Network such as Emeril Lagasse and Rachael Ray, and it also suggests the importance of the media and of consumer capitalism in shaping American trends and tastes. Possible topics for conversation could include the role of media and business in creating taste and demand, evolving American notions of gender and culture as reflected in our food culture, whether we agree with Kamp that the gourmet trend in American food culture is completely positive, and the relevance of the food revolution to our own lives. We hope you will be able to join us for our discussion, either at the Main Library on Tuesday, April 1, at 7:00 in Meeting Room A, or here on the blog.
Tuesday, March 11, 2008
Notes from March's Not Fiction Book Discussion
We opened our discussion of Three Cups of Tea: One Man's Mission to Promote Peace . . . One School at a Time by Greg Mortenson and David Oliver Relin by considering why this book is so popular, such a word-of-mouth book. We decided that Mortenson's story is inspiring because it proves that one person can make a difference on a large scale and provides hope for a confusing, seemingly insoluble political situation. It is the kind of book that can inspire individuals to take action.
We questioned the purpose of the book, and decided that it is not just a biography or adventure story, but also an advertisement for Mortenson's work through his nonprofit Central Asia Institute. In addition, it provides a convincing argument by example for the "three cups of tea" approach to foreign diplomacy. We compared Three Cups of Tea to The Places In Between by Rory Stewart, which we read last October, and agreed that while both books promote this approach to political relationships, Stewart's book, written in first person, is much more of a personal story, a true memoir.
We enjoyed discussing Mortenson's character, especially his transformation from climbing bum to head of an international nonprofit organization. We admire his ability to connect with people very unlike himself culturally and to learn from them the best way to procede to accomplish their mutual goals. We also marveled at his perseverance and disregard for personal comfort and safety.
And we discussed Relin's writing, his style and choice of point of view. Some reviewers of the book have criticized Relin's style, saying that his prose is occasionally clunky and that some of his metaphors are awkward and exaggerated. While we admitted that this criticism is true, we also agreed that Relin creates a sense of drama and provides some vivid portraits of the people and places Mortenson encountered. We compared Relin's choice of point of view to Tracy Kidder's in his book about Paul Farmer, Mountains Beyond Mountains, which we read last November, and we came away with an even greater appreciation of Kidder's choice to include himself and his reactions to Farmer in the story, acting as a touchstone for the reader's own reaction to Farmer. Relin admits in his introduction that he could not serve as an objective observer but felt compelled to advocate for Mortenson, which caused some of us to question whether we are getting a full, truthful portrait of Mortenson's character. And Relin's choice to use a point of view that provides access to Mortenson's thoughts caused some of us to question to what degree those thoughts were truly Mortenson's, accurately recalled, or Relin's artistic creation.
Overall, we enjoyed Three Cups of Tea and found that it opens up many important political, cultural, literary, and personal discussions. We invite you to join those discussions here on the blog.
Visit these links to learn more about Mortenson's nonprofit Central Asia Institute and to get involved with fundraising through Pennies for Peace.
We questioned the purpose of the book, and decided that it is not just a biography or adventure story, but also an advertisement for Mortenson's work through his nonprofit Central Asia Institute. In addition, it provides a convincing argument by example for the "three cups of tea" approach to foreign diplomacy. We compared Three Cups of Tea to The Places In Between by Rory Stewart, which we read last October, and agreed that while both books promote this approach to political relationships, Stewart's book, written in first person, is much more of a personal story, a true memoir.
We enjoyed discussing Mortenson's character, especially his transformation from climbing bum to head of an international nonprofit organization. We admire his ability to connect with people very unlike himself culturally and to learn from them the best way to procede to accomplish their mutual goals. We also marveled at his perseverance and disregard for personal comfort and safety.
And we discussed Relin's writing, his style and choice of point of view. Some reviewers of the book have criticized Relin's style, saying that his prose is occasionally clunky and that some of his metaphors are awkward and exaggerated. While we admitted that this criticism is true, we also agreed that Relin creates a sense of drama and provides some vivid portraits of the people and places Mortenson encountered. We compared Relin's choice of point of view to Tracy Kidder's in his book about Paul Farmer, Mountains Beyond Mountains, which we read last November, and we came away with an even greater appreciation of Kidder's choice to include himself and his reactions to Farmer in the story, acting as a touchstone for the reader's own reaction to Farmer. Relin admits in his introduction that he could not serve as an objective observer but felt compelled to advocate for Mortenson, which caused some of us to question whether we are getting a full, truthful portrait of Mortenson's character. And Relin's choice to use a point of view that provides access to Mortenson's thoughts caused some of us to question to what degree those thoughts were truly Mortenson's, accurately recalled, or Relin's artistic creation.
Overall, we enjoyed Three Cups of Tea and found that it opens up many important political, cultural, literary, and personal discussions. We invite you to join those discussions here on the blog.
Visit these links to learn more about Mortenson's nonprofit Central Asia Institute and to get involved with fundraising through Pennies for Peace.
Monday, February 11, 2008
March Not Fiction Book Discussion

Notes from February's Not Fiction Book Discussion
Our discussion of Orhan Pamuk's Istanbul: Memories and the City centered on Pamuk's conviction that "Istanbul's fate is my fate. I am attached to this city because it has made me who I am." As one member of our discussion group suggested, Pamuk has embraced his fate and from it created for his readers an almost palpable sense of Istanbul as he knows it, a city of huzun, or shared melancholy, inseparable from his family's life and his interior life as a young artist. Another member of our discussion group, who is a native of Istanbul and an admirer of all of Pamuk's works, asked us whether we felt we could "see" Istanbul after reading Pamuk's memoir, saying that he felt it did a wonderful job of portraying Istanbul but that he was biased by knowing the city and being a fan of Pamuk's writing. We agreed that we do feel we now know Istanbul, but that if we were suddenly to find ourselves in its streets, we would be surprised to see the vibrant, full-color, present-day city rather than the black and white city Pamuk portrays. It is to Pamuk's credit that the city we know so well is the city of his memories.
Readers who enjoyed Pamuk's family stories and honest portrayal of his inner life as an artist will enjoy reading his Nobel Lecture, My Father's Suitcase, in which he presents a poignant story about his relationship with his father as well as his view of the role of literature in today's politically sensitive world.
Readers who enjoyed Pamuk's family stories and honest portrayal of his inner life as an artist will enjoy reading his Nobel Lecture, My Father's Suitcase, in which he presents a poignant story about his relationship with his father as well as his view of the role of literature in today's politically sensitive world.
Thursday, January 24, 2008
February Not Fiction Book Discussion

For our February Not Fiction Book Discussion, we are reading Istanbul: Memories and the City by Orhan Pamuk. Pamuk, who won a Nobel Prize in Literature in 2006, tells us in his first chapter, "Here we come to the heart of the matter: I've never left Istanbul, never left the houses, streets, and neighborhoods of my childhood. . . . My imagination . . . requires that I stay in the same city, on the same street, in the same house, gazing at the same view. Istanbul's fate is my fate. I am attached to this city because it has made me who I am." Thus his book is a memoir of a city as much as it is a memoir of a self, offering readers a lushly detailed cultural, social, political, and religious history of Istanbul as well as a startlingly honest portrait of this artist as a young man. Pamuk has enriched his text with evocative photographs of his family and the city, enhancing his presentation of the sensibility of huzun, or melancholy, he feels he shares with all Istanbullus as a result of living in this lost empire. Our discussion should be rich as we explore Pamuk's literary allusions, compare and contrast his memoir with Bill Bryson's The Life and Times of the Thunderbolt Kid: A Memoir, discuss the idea of a shared cultural sensibility, and share favorite passages, so we hope you will join us, either Tuesday, February 5 at 7:00 p.m. in Meeting Room A of the Main Library on Calhoun Street or here on the blog.
To hear an interview with Orhan Pamuk and learn more about Istanbul, visit this link to Public Radio International's program The World, which recently featured a week of programming about this city titled Istanbul: A Past and Future City.
To hear an interview with Orhan Pamuk and learn more about Istanbul, visit this link to Public Radio International's program The World, which recently featured a week of programming about this city titled Istanbul: A Past and Future City.
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